अवतार कौल की पहली और आखिरी फिल्म 27 DOWN , हमेशा मन करता रहा की एक और फिल्म बना पाते।
कहानी मुंबई की एक रेलवे टिकट वाले की , वही लोकल ट्रैन और ट्रैक,
1974 जब बच्चन की जंजीर और राज कपूर की बॉबी को छोड़ किसने देखा होगा 27 DOWN
उनको भी सलाम ......
M K रैना लीड एक्टर थे , विश्वास नहीं होता राखी हीरोइन होगी। ---
27 Down by Awtar Krishna Kaul, who died in an accident soon after its completion, is one of the great Mumbai films, featuring unforgettable journeys on the local train, a lustrous Raakhee, and some of the best black and white vistas of the city, including an unforgettable sequence of commuters spilling out of a train as it pulls into a station. Celebrated cinematographer Apurba Kishore Bir, who shot 27 Down and several parallel films, also directed a handful of titles, includingAranyaka, a Rules of the Game-influenced tale set in a tribal part of Orissa and featuring an ex-royal, his guests and a hunt that goes badly wrong. Aranyaka isn’t wholly successful in its depiction of the tensions between the ruling class and indigenous people, but it’s a curio nonetheless, on a par with Aribam Syam Sharma’s Manipuri filmSanabi. The story of a stolen horse and the role it plays in a budding romance is less interesting than the rural Manipuri landscape, lovingly photographed by renowned Malayli cinematographer Sunny Joseph.
कहानी मुंबई की एक रेलवे टिकट वाले की , वही लोकल ट्रैन और ट्रैक,
1974 जब बच्चन की जंजीर और राज कपूर की बॉबी को छोड़ किसने देखा होगा 27 DOWN
उनको भी सलाम ......
M K रैना लीड एक्टर थे , विश्वास नहीं होता राखी हीरोइन होगी। ---
AWARDS
- National Award for Best Film (1975)
- National Award for Best Cinematography (1975)
CAST
- M.K. Raina ———————— Sanjay
- Rakhee —————————– Shalini
- Rekha Sabnis ———————- Sanjay’s wife
- Om Shivpuri ———————– Sanjay’s father
- Madhavi Manjula
- Sadhu Meher
- Sudhir Dalvi ———————– Sanjay’s friend
- Nilesh Vellani ——————— Young Sanjay
27 Down by Awtar Krishna Kaul, who died in an accident soon after its completion, is one of the great Mumbai films, featuring unforgettable journeys on the local train, a lustrous Raakhee, and some of the best black and white vistas of the city, including an unforgettable sequence of commuters spilling out of a train as it pulls into a station. Celebrated cinematographer Apurba Kishore Bir, who shot 27 Down and several parallel films, also directed a handful of titles, includingAranyaka, a Rules of the Game-influenced tale set in a tribal part of Orissa and featuring an ex-royal, his guests and a hunt that goes badly wrong. Aranyaka isn’t wholly successful in its depiction of the tensions between the ruling class and indigenous people, but it’s a curio nonetheless, on a par with Aribam Syam Sharma’s Manipuri filmSanabi. The story of a stolen horse and the role it plays in a budding romance is less interesting than the rural Manipuri landscape, lovingly photographed by renowned Malayli cinematographer Sunny Joseph.

